Thirteen years. The time between beginning and an ending, and the return to the familiar ground of first pages being turned.
This is the ethos behind FIRES, new project from Eric Sochocki (Cryogen Second, Becoming The Devourer), which sees a return to his dance roots. However, this return is not to familiar territory, as FIRES does not opt for political warnings entrenched in post-apocalyptic imagery, as seen in Cryogen Second, or towards the esoteric and ephemeral, like Becoming the Devourer. Instead, FIRES is a direct reach inward and expressed in pop melodies, electronic rock, and nods to the retro-futurism of Synthwave.
FIRES began in August of 2016 and the first single (Counting Walls) was released in October of 2016, and quickly began circulating throughout the US industrial scene. A second single (To Be All Alone) was released a few weeks after. In early 2017, the band signed to Metropolis Records to release FIRES' debut album, Red Goes Grey, in September of the same year. This album can trace its musical lineage directly to industrial acts like Imperative Reaction, Aesthetic Perfection, and Alter Der Ruine, while taking pieces from modern Synthwave producers like Carpenter Brut, S U R V I V E, and Vogel.
It was a mistake putting off listening to this album for so long.
KANGA's Nine Inch Nails inspirations are on her sleeve in this album but she pulls it off amazingly well, paying tribute while presenting something entirely her own.
Hearing the hype put me off listening to this for so long and it sucks that I'm adding to it by telling you to ignore it, but give it a listen. You won't be disappointed.
Don't make the same mistakes I've made. met3mpsyk6sis
This album should be ranked very high in ranks of latest industrial albums, because it just crushes the competition. THIS is how it's done people. Menacing vocals, pounding drums and haunting electronics have no mercy on your ears and leave you with not one second of peace. Play this loud and do people around you a service.